The Witcher: Blood Origin review – this profanity-packed fantasy is a riot

The Witcher: Blood Origin review – this profanity-packed fantasy is a riot

Èile (Sophia Brown) on a white horse in The Witcher: Blood Origin.

Èile (Sophia Brown) in The Witcher: Blood Origin. Photograph: Photo Credit: Lilja Jonsdottir/Lilja Jonsdottir

Extremely bad-ass fights and hilariously playful swearing make this drama lots of fun – plus it’s only four episodes long. Everyone’s a winner!

Welcome to the resistance! Perhaps we ought not to look primarily to fantasy shows on streaming services for tips on how to combat authoritarianism, but you take what you can get. After Andor on Disney+, with its comprehensive guide to grassroots rebellion in the Star Wars universe, now The Witcher: Blood Origin (Netflix) maps out how to fight back when The Man has pointy ears.

For this prequel to The Witcher, we go back, back, back to 1,200 years before the time of Geralt of Rivia – and if you don’t know who that is, it matters not. Slide right into the self-contained story of a continent where elves, dwarves and other often-warring peoples are living in uneasy proximity, until the arrival of one vicious dictatorship to rule them all makes everyone even less relaxed. Out in the sticks, soldier turned travelling bard Éile (Sophia Brown) is already fomenting revolutionary solidarity by singing rousing folk songs in pubs – and, in her introductory scene, taking care of drunk punters who get aggressively handsy with a waitress, by stabbing them in the legs and smashing their faces on tables, before continuing to play her bowed zither thingy and sing about people power. We like her immediately.

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