When Billy Eichner’s poorly marketed yet richly textured gay romcom Bros was released earlier this year, the critique from many queer viewers was that it wasn’t queer enough. The film, a big and glossy yet not unspecific studio movie produced by Judd Apatow, was a major step forward for the centering of LGBTQ+ stories but ended up as both box office disaster and intra-community whipping bro, unfairly expected to tick every box in every way.