Molayem ART Magazine International Art Magazine
‘I forget everything, everything except how things used to be’ … Out for Christmas Trees. Photograph: Gene Young/Smithsonian American Art Museum
The upstate New York farmer took up painting at 76 and was soon a star, her ‘old-timey’ scenes proving perfect for stamps, curtains and Christmas cards – saving her from a life of raising chickens
‘Ihad always wanted to paint,” Anna Mary Robertson Moses once said. “But I just didn’t have time – until I was 76.” The artist, who became known as Grandma Moses, was hailed for her wide-eyed, childlike wonder which she channelled into paintings of often wintry landscapes depicting scenes of daily life.
Born in 1860, the third of 10 children raised on a farm in upstate New York, Moses became a servant for a wealthy neighbouring farmhouse at the age of 12, carrying out domestic duties such as cooking, sewing and cleaning. After 13 years of this, she married Thomas Salmon Moses and the couple went on to have 10 children – with only five surviving past infancy. Never wealthy, they settled on farms in Virginia and later in upstate New York, where Moses made crisps on the side for extra income.
